New York, NY: Random House (2013)

"John Grisham takes you back to where it all began . . ."
John Grisham's "A Time to Kill" is one of the most popular novels of our time. Now we return to that famous courthouse in Clanton as Jake Brigance once again finds himself embroiled in a fiercely controversial trial-a trial that will expose old racial tensions and force Ford County to confront its tortured history.
Seth Hubbard is a wealthy man dying of lung cancer. He trusts no one. Before he hangs himself from a sycamore tree, Hubbard leaves a new, handwritten, will. It is an act that drags his adult children, his black maid, and Jake into a conflict as riveting and dramatic as the murder trial that made Brigance one of Ford County's most notorious citizens, just three years earlier.
The second will raises far more questions than it answers. Why would Hubbard leave nearly all of his fortune to his maid? Had chemotherapy and painkillers affected his ability to think clearly? And what does it all have to do with a piece of land once known as Sycamore Row?
In "Sycamore Row," John Grisham returns to the setting and the compelling characters that first established him as America's favorite storyteller. Here, in his most assured and thrilling novel yet, is a powerful testament to the fact that Grisham remains the master of the legal thriller, nearly twenty-five years after the publication of "A Time to Kill."

New York, NY: Nan A. Talese/Doubleday (2013)

In this powerful and intimate memoir, the beloved bestselling author of The Prince of Tides and his father, the inspiration for The Great Santini, find some common ground at long last.

Pat Conroy's father, Donald Patrick Conroy, was a towering figure in his son's life. The Marine Corps fighter pilot was often brutal, cruel, and violent; as Pat says, "I hated my father long before I knew there was an English word for hate." As the oldest of seven children dragged from military base to military base across the South, Pat bore witness to the toll his father took on his siblings, and especially on his mother, Peg. She was his lifeline to a better world, the world of books and culture, and despite the serial confrontations with his father Pat managed to claw his way towards a life he hardly could have imagined as a child.

Pat's great success as a writer has always been intimately linked with his family life. While the publication of The Great Santini brought Pat much attention, the public rift it caused with his father generated more attention still. Their long-simmering conflict burst into the open, fracturing an already battered family even further. But as Pat tenderly chronicles here, even the oldest of wounds can heal. In the final years of his life, Don Conroy and his son reached a rapprochement of sorts. Quite unexpectedly, the Santini who had freely doled out backhanded slaps targeted his ire on those who had turned on Pat over the years. He defended his son's honor.

THE DEATH OF SANTINI is a heart-wrenching account of personal and family struggle, and a poignant lesson in how ties of blood can both strangle and offer succor. It is an act of reckoning, an exorcism of demons, but one whose ultimate conclusion is that love can soften even the meanest of men, giving meaning to one of the most often quoted lines from his bestselling novel. The Prince of Tides: "In families there are no crimes that cannot be forgiven."

New York, NY: William Morrow (2013)

Set against the backdrop of the historic flooding of the Mississippi River, The Tilted World is an extraordinary tale of murder and moonshine, sandbagging and saboteurs, and a man and a woman who find unexpected love, from Tom Franklin, the acclaimed author of the New York Times bestseller Crooked Letter, Crooked Letter, and award-winning poet Beth Ann Fennelly

The year is 1927. As rains swell the Mississippi, the mighty river threatens to burst its banks and engulf everything in its path, including federal revenue agent Ted Ingersoll and his partner, Ham Johnson. Arriving in the tiny hamlet of Hobnob, Mississippi, to investigate the disappearance of two fellow agents who'd been on the trail of a local bootlegger, they are astonished to find a baby boy abandoned in the middle of a crime scene.

Ingersoll, an orphan raised by nuns, is determined to find the infant a home, and his search leads him to Dixie Clay Holliver. A strong woman married too young to a philandering charmer, Dixie Clay has lost a child to illness and is powerless to resist this second chance at motherhood. From the moment they meet, Ingersoll and Dixie Clay are drawn to each other. He has no idea that she's the best bootlegger in the county and may be connected to the agents' disappearance. And while he seems kind and gentle, Dixie Clay knows full well that he is an enemy who can never be trusted.

When Ingersoll learns that a saboteur might be among them, planning a catastrophe along the river that would wreak havoc in Hobnob, he knows that he and Dixie Clay will face challenges and choices that they will be fortunate to survive. Written with extraordinary insight and tenderness, The Tilted World is that rarest of creations, a story of seemingly ordinary people who find hope and deliverance where they least expect it--in each other.

New York, NY: Little Brown (2013)

The American master's first novel since Winter's Bone (2006) tells of a deadly dance hall fire and its impact over several generations.

Alma DeGeer Dunahew, the mother of three young boys, works as the maid for a prominent citizen and his family in West Table, Missouri. Her husband is mostly absent, and, in 1929, her scandalous, beloved younger sister is one of the 42 killed in an explosion at the local dance hall. Who is to blame? Mobsters from St. Louis? The embittered local gypsies? The preacher who railed against the loose morals of the waltzing couples? Or could it have been a colossal accident? Alma thinks she knows the answer-and that its roots lie in a dangerous love affair.

Alma's dogged pursuit of justice makes her an outcast and causes a long-standing rift with her own son. By telling her story to her grandson, she finally gains some solace-and peace for her sister. He is advised to "Tell it. Go on and tell it"-tell the story of his family's struggles, suspicions, secrets, and triumphs.

New York, NY: Knopf (2013)

In a captivating departure from the Deep South setting of his previous fiction, Steve Yarbrough now gives us a richly nuanced portrait of a marriage being reinvented in a small town in the Northeast, in his most surprising and compelling novel yet.

When Kristin Stevens loses her job in California's higher-education system, she and her husband, Cal, relocate to Massachusetts. Kristin takes a position at a smaller, less prestigious university and promptly becomes entangled in its delicate, overheated politics. Cal, whose musical talent is nothing more than a consuming avocation, spends his days alone, fixing up their new home. And as they settle into their early fifties, the two seem to exist in separate spheres entirely.

At the same time, their younger neighbor Matt Drinnan watches as his ex-wife takes up with another man in town, with only himself to blame. Each facing a different sense of isolation, he and Kristin gravitate toward each other, at first in hopes of a platonic confidant but then, inevitably, as something more.

The Realm of Last Chances provides us with a subtle, moving exploration of relationships, loneliness, and our convoluted attempts to reach out to one another.

Chapel Hill, NC: University of North Carolina (2013)

Near fine in dust jacket.

"The Storied South" features the voices--by turn searching and honest, coy and scathing--of twenty-six of the most luminous artists and thinkers in the American cultural firmament, from Eudora Welty, Pete Seeger, and Alice Walker to William Eggleston, Bobby Rush, and C. Vann Woodward.

Masterfully drawn from one-on-one interviews conducted by renowned folklorist William Ferris over the past forty years, the book reveals how storytelling is viscerally tied to southern identity and how the work of these southern or southern-inspired creators has shaped the way Americans think and talk about the South.

"The Storied South" offers a unique, intimate opportunity to sit at the table with these men and women and learn how they worked and how they perceived their art.

The volume also features 45 of Ferris's striking photographic portraits of the speakers and a CD and a DVD of original audio and films of the interviews.

New York, NY: Norton (2013)

A young doctor wrestles with the legacy of a slave “resurrectionist” owned by his South Carolina medical school.

Nemo Johnston was one of many Civil War-era "resurrectionists" responsible for procuring human corpses for doctors' anatomy training. More than a century later, Dr. Jacob Thacker, a young medical resident on probation for Xanax abuse and assigned to work public relations for his medical school's dean, finds himself facing a moral dilemma when a campus renovation unearths the bones of dissected African American slaves--a potential PR disaster for the school.

Will Jacob, still a stranger to his own history, continue to be complicit in the dean's cover-up or will he risk his entire career to force the school to face its dark past?

First-time novelist Matthew Guinn deftly weaves historical and fictional truth, salted with contemporary social satire, and traditional Southern Gothic into a tale of shocking crimes and exquisite revenge--and a thoroughly absorbing and entertaining moral parable of the South.

A native of Atlanta, Matthew Guinn holds degrees in English from the University of Georgia, the University of Mississippi, and the University of South Carolina, where he was personal assistant to the late James Dickey. He lives in Jackson, Mississippi.

New York, NY: Ecco Press. (2013)

Philipp Meyer, the acclaimed author of American Rust, returns with The Son an epic of the American West and a multigenerational saga of power, blood, land, and oil that follows the rise of one unforgettable Texas family, from the Comanche raids of the 1800s to the to the oil booms of the 20th century.

Harrowing, panoramic, and deeply evocative, The Son is a fully realized masterwork in the greatest tradition of the American canon--an unforgettable novel that combines the narrative prowess of Larry McMurtry with the knife-edge sharpness of Cormac McCarthy.

New York, NY: Ballantine (2013)

As new in dust jacket.

Continuing the trilogy that began with A Blaze of Glory, New York Times bestselling author Jeff Shaara returns to chronicle another decisive chapter in America's long and bloody Civil War.

In A Chain of Thunder, the action shifts to the fortress city of Vicksburg, Mississippi. There, in the vaunted "Gibraltar of the Confederacy," a siege for the ages will cement the reputation of one Union general--and all but seal the fate of the rebel cause.

In May 1863, after months of hard and bitter combat, Union troops under the command of Major General Ulysses S. Grant at long last successfully cross the Mississippi River. They force the remnants of Confederate Lieutenant General John C. Pemberton's army to retreat to Vicksburg, burning the bridges over the Big Black River in its path. But after sustaining heavy casualties in two failed assaults against the rebels, Union soldiers are losing confidence and morale is low.

Grant reluctantly decides to lay siege to the city, trapping soldiers and civilians alike inside an iron ring of Federal entrenchments. Ten days later, the starving and destitute Southerners finally surrender, yielding command of the Mississippi River to the Union forces on July 4--Independence Day--and marking a crucial turning point in the Civil War.

Drawing on comprehensive research and his own intimate knowledge of the Vicksburg Campaign, Jeff Shaara once again weaves brilliant fiction out of the ragged cloth of historical fact. From the command tents where generals plot strategy to the ruined mansions where beleaguered citizens huddle for safety, this is a panoramic portrait of men and women whose lives are forever altered by the siege.

On one side stand the emerging legend Grant, his irascible second William T. Sherman, and the youthful "grunt" Private Fritz Bauer; on the other, the Confederate commanders Pemberton and Joseph Johnston, as well as nineteen-year-old Lucy Spence, a civilian doing her best to survive in the besieged city.

By giving voice to their experiences at Vicksburg, A Chain of Thunder vividly evokes a battle whose outcome still reverberates more than 150 years after the cannons fell silent.

New York, NY: Hogarth (2013)

In the final days of December 2004, in a small rural village in Chechnya, eight-year-old Havaa hides in the woods when her father is abducted by Russian forces. Fearing for her life, she flees with their neighbor Akhmed--a failed physician--to the bombed-out hospital, where Sonja, the one remaining doctor, treats a steady stream of wounded rebels and refugees and mourns her missing sister.

Over the course of five dramatic days, Akhmed and Sonja reach back into their pasts to unravel the intricate mystery of coincidence, betrayal, and forgiveness that unexpectedly binds them and decides their fate.

With The English Patient's dramatic sweep and The Tiger's Wife's expert sense of place, Marra gives us a searing debut about the transcendent power of love in wartime, and how it can cause us to become greater than we ever thought possible.

New York, NY: Grove (2013)

Sharp-edged and fearless, mixing white-hot yearning with daring humor, Jamie Quatro's debut collection is a beautiful and disquieting portrait of infidelity, faith, and family.

The hypnotically intimate, urgent stories in "I Want to Show You More" are about lives stretched between spirituality and sexuality in the New American South. In narrative modes ranging from the traditional to the fabulist, these stories are interconnected explorations of God, illicit sex, raising children--and running.

Jamie Quatro's stories confront us with dark theological complexities, fractured marriages, and mercurial temptations: a wife comes home with her husband to find her lover's corpse in their bed; a teenager attends a Bible Camp where he seduces a young cancer survivor with hopes of curing his own rare condition; marathon runners on a Civil War battlefield must carry phallic statues and are punished if they choose to unload their burdens; a girl's embarrassment over attending a pool party with her quadriplegic mother turns to fierce devotion under the pitying gaze of other guests; and a husband asks his wife to show him how she would make love to another man.

"I Want to Show You More" unleashes Quatro's exhilarating talent for exposing the quiet terrors of modern life with stunning and subversive energy.

New York, NY: Random House (2013)

One of the most important and blazingly original writers of his generation, George Saunders is an undisputed master of the short story, and Tenth of December is his most honest, accessible, and moving collection yet.

In the taut opener, “Victory Lap,” a boy witnesses the attempted abduction of the girl next door and is faced with a harrowing choice: Does he ignore what he sees, or override years of smothering advice from his parents and act? In “Home,” a combat-damaged soldier moves back in with his mother and struggles to reconcile the world he left with the one to which he has returned. And in the title story, a stunning meditation on imagination, memory, and loss, a middle-aged cancer patient walks into the woods to commit suicide, only to encounter a troubled young boy who, over the course of a fateful morning, gives the dying man a final chance to recall who he really is. A hapless, deluded owner of an antiques store; two mothers struggling to do the right thing; a teenage girl whose idealism is challenged by a brutal brush with reality; a man tormented by a series of pharmaceutical experiments that force him to lust, to love, to kill—the unforgettable characters that populate the pages of Tenth of December are vividly and lovingly infused with Saunders’s signature blend of exuberant prose, deep humanity, and stylistic innovation.

Writing brilliantly and profoundly about class, sex, love, loss, work, despair, and war, Saunders cuts to the core of the contemporary experience. These stories take on the big questions and explore the fault lines of our own morality, delving into the questions of what makes us good and what makes us human.

Unsettling, insightful, and hilarious, the stories in Tenth of December—through their manic energy, their focus on what is redeemable in human beings, and their generosity of spirit—not only entertain and delight; they fulfill Chekhov’s dictum that art should “prepare us for tenderness.”