New York, NY: Amistad Press (2003)

Henry Townsend, a black farmer, bootmaker, and former slave, has a fondness for “Paradise Lost and an unusual mentor — William Robbins, perhaps the most powerful man in antebellum Virginia’s Manchester County. Under Robbins’s tutelage, Henry becomes proprietor of his own plantation — as well as of his own slaves. When he dies, his widow, Caldonia, succumbs to profound grief, and things begin to fall apart at their plantation: slaves take to escaping under the cover of night, and families who had once found love beneath the weight of slavery begin to betray one another. Beyond the Townsend estate, the known world also unravels: low-paid white patrollers stand watch as slave “speculators” sell free black people into slavery, and rumors of slave rebellions set white families against slaves who have served them for years. An ambitious, luminously written novel that ranges seamlessly between the past and future and back again to the present, The Known World weaves together the lives of freed and enslaved blacks, whites, and Indians — and allows all of us a deeper understanding of the enduring multidimensional world created by the institution of slavery.

New York, NY: Amistad Press (2006)

In fourteen sweeping and sublime stories, five of which have been published in The New Yorker, the bestselling and Pulitzer Prize-winning author of The Known World shows that his grasp of the human condition is firmer than ever

Returning to the city that inspired his first prizewinning book, Lost in the City, Jones has filled this new collection with people who call Washington, D.C., home. Yet it is not the city’s power brokers that most concern him but rather its ordinary citizens. All Aunt Hagar’s Children turns an unflinching eye to the men, women, and children caught between the old ways of the South and the temptations that await them further north, people who in Jones’s masterful hands, emerge as fully human and morally complex, whether they are country folk used to getting up with the chickens or people with centuries of education behind them.

In the title story, in which Jones employs the first-person rhythms of a classic detective story, a Korean War veteran investigates the death of a family friend whose sorry destiny seems inextricable from his mother’s own violent Southern childhood. In “In the Blink of God’s Eye” and “Tapestry” newly married couples leave behind the familiarity of rural life to pursue lives of urban promise only to be challenged and disappointed.

With the legacy of slavery just a stone’s throw away and the future uncertain, Jones’s cornucopia of characters will haunt readers for years to come.