Riding the Ox Home by John Daido Loori

January 23, 2008 by

Riding The Ox Home

Stages on the Path of Enlightenment

by

John Daido Loori

This Riding Ox is a modern commentary sketching the spiritual encountered in Zen training.

I feel most of us, are investigating ourselves often, trying to understand our conditioning, our reactions, our views, our actions, etc. This little book is about discovering our truest nature.

Accompanied by ox-herding pictures and ancient poems, Loori’s modern commentary on understanding our ego is clear and helpful in training appreciation of self and understanding reality. Realizing ourselves and transforming our lives is important. Right judgments and constructive lifestyles (pleasure-time and work-time) enables us to have more full-filled days.

Reading Loori’s adaptation made me think about good and helpful ideas.


The Zen of Creativity by John Daido Loori

by

The Zen of Creativity: Cultivating Your Artistic Life

by John Daido Loori (Ballantine, 2005)

Loori taps the principles of Zen art as a means to unlock creativity and find freedom in creative expression. He relates his understanding of processes which dissolve barriers of creative expression to encourage one to open up and meet life with with spontaneous artistic expression.

I found this book useful for me in adapting a more clear understanding of my musical expression. Some memorable thoughts from The Zen of Creativity:

  • Creating is our birthright.
  • Music moves into our being and our body responds. There is no thought, judgment, or effort. The music passes freely through us.
  • Allow yourself to become the music, words, or dance, noticing the sensation in your body.

Zen of Creativity is a wonderfully written book, designed to bring out its reader’s creativity generating thoughts of self implication.


When I Find You Again It Will be in the Mountains: Selected Poems of Chia Tao

by

When I Find You Again, It Will Be In Mountains:

Selected Poems of Chia Tao

Translated by Mike O’Connor

Chia Tao (779-843) died with only two known possessions, a donkey in bad health and a five-string zither.

Chia Tao’s efforts in poetry were to consciously make poetry less beautiful-hopefully, therefore making it more significant and true. His ordinary and plain verse without emotional attachment, offer insight into everyday life. A simple way to just see things. His spare and morally serious poems were friendly reading to me.

Some favorite excerpts:

I.

A solitary cloud

Just has no fixed home.

II.

A lone shadow

Walks on the bottom of a pond;

Someone,

Now and then, rests beside a tree.

III.

Small clouds, one by one,

Break up, dissolve;

Old trees fall

For firewood.


People of the Book by Geraldine Brooks (Believe the Hype)

January 16, 2008 by

people of the bookLast night I finished Geraldine Brooks new book, People of the Book. I took it home with me last week because I came to work and we had sold four copies of the book and it was only 9:15! NPR had done an interview with Geraldine Brooks that morning and people were pouring in the store to get the book. NPR said People of the Book is the best book of 2008! I was a little wary of that considering it was only January 4, 2008 but I knew there had to be something to it because Geraldine Brooks did win the Pulitzer Prize for her last novel, March.

Geraldine Brooks was inspired by a true story when she wrote People of the Book. During the bombing of Sarajevo, the librarians risked their lives and some lost them to try and save as many books as they could from the library in Sarajevo. The book at the center of this story is the Hebrew codex known as the Sarajevo Haggadah. It was in the collection of the National Museum of Bosnia which was “splattered with the shrapnel of frequent shelling” during the war. The fate of the Haggadah wasn’t known until after war when it was revealed that a Muslim librarian, Enver Imamovic, saved the codex during the shelling and hidden it in a bank vault.

What makes this book so special is the fact that it is illuminated. It was discovered in 1894 when an indigent Jewish family needed to sell it. The art historians where shocked because it made them rethink the belief “that figurative art had been suppressed among medieval Jews for religious reasons”.

Many of the facts about the Haggadah are true to its known history but the plot and characters in People of the Book are all from Geraldine Brooks imagination and what an imagination she has. We begin with an Australian rare book expert, Hanna, who is offered the job of conserving the Haggadah and doing research on its history. While inspecting the book she discovers three artifacts in the book’s binding, a piece of an insect wing, a wine stain, and salt crystals. Using the information known to her and these three objects, she begins to learn about the book’s mysterious past. From here we travel to Bosnia during WWII, to the salons of Vienna, to Venice in 1609, to Tarragona in 1492 and then to Seville in 1480. Hanna’s investigation will introduce her to the world of art forgers and religious fanatics and will make her question her decisions in her work life and her personal life.

Geraldine Brooks is a wonderful story teller and I know that if you read this book you will love it as much as I do. I read a lot of historical fiction but there was something really different about this one. So I can really say, “Believe the hype.”  This is a good book. Will it be the best book of 2008? It is way to early in the year for me to go that far, but I do firmly believe it will be in my top 5 list for 2008.


Article on Howard Bahr

August 14, 2007 by

After teaching English for 13 years at Motlow State College in Tullahoma, Tenn., decorated author Howard Bahr says “it’s good to be back home in the South again.”

Geography experts, listen up.

“To me, Tennessee is not a Southern state,” explains Bahr, a Mississippi native who is living in Jackson and will be teaching writing classes at Belhaven College in the fall. “Tennessee is lovely, but more of a border state in my mind.

“The people of Mississippi are friendlier and kinder to one another, more tolerant of one another. There’s a certain grace about the people in the Deep South that is lacking in other areas.”

Bahr’s definition of the Deep South consists of Mississippi, Louisiana, Alabama, Georgia and South Carolina. And it is in that region in which the 61-year-old Bahr wants to spend his days writing, living and “contributing to the community.”

“There is a sense of energy and creativity in Jackson – lots of artists and writers, and I’d like to have a membership card,” says Bahr, whose 1997 Civil War novel The Black Flower earned him the prestigious Harold D. Vursell Memorial Award from the American Academy of Arts and Letters, and was also chosen as a New York Times Notable Book.

John Evans, owner of Lemuria Books in Jackson, says Bahr’s return to Mississippi – particularly to Jackson – “should be a point of pride for all of us.”

“We’ve lost a lot of our great writers here in Jackson,” says Evans, referring to the deaths of Willie Morris, Eudora Welty and Margaret Walker Alexander in recent years. “Howard Bahr is a serious literary writer. In a state known for serious writers, I think it’s extremely important to have a great writer living in our community.

“Plus,” Evans adds with a chuckle, “he’s a really fun guy to be around.”

Bahr, a veteran of the Vietnam War, followed The Black Flower with two more Civil War novels – The Year of Jubilo and The Judas Field, which has just been released in paperback.

“They formed a trilogy, which I never meant to happen,” says Bahr, a former professor at the University of Mississippi and the curator at William Faulkner’s Oxford home, Rowan Oak, for nine years. “But I think I’ve written about all I can on the Civil War. I don’t anticipate any more of those.”

His next book, Pelican Road, has been purchased by MacAdam Cage of San Francisco and is in the editing stages. It is due out next spring.

“It’s a book about working on the railroad,” says Bahr, who spent five years as a railroad yard clerk and brakeman from 1968 through 1973. “There have been lots of kids books done on railroads and trains, but never a serious book about what it used to be like working on the railroad when they had cabooses and used hand signals and all that.”

And even though Bahr doesn’t have a concrete idea for another book, he still goes to his computer every night to see what his subconscience might offer.

“Writing is a compulsion,” he says. “I think most artists will tell you that … the painter has to go to his studio, the potter has to go to his wheel.

“If I don’t sit down and at least write a few sentences or paragraphs and see what comes out, I feel like I haven’t done my duty for the day.”