Kate DiCamillo and Handselling

June 3, 2010 by

This year, Kate DiCamillo was honored with the 2010 Indies Choice Award “Most Engaging Author.” I personally voted for her and I was pretty excited to hear that she had won. I love The Magician’s Elephant and The Tale of Despereaux. I also love showing them to new readers everyday. In her acceptance speech, Kate praised booksellers and the wonder of handselling. It kind of made me tear up, so I thought I would share it with y’all.

“When I was in second grade, I fell in love with Abraham Lincoln.

The Clermont Elementary School library had a series of books called Notable Young Americans. And in this way, through these books, I met George Washington and Helen Keller, Alexander Graham Bell and Thomas Edison, Amelia Earhart and Booker T. Washington.

I met them and I liked them.

But it wasn’t until Abraham Lincoln that I fell in love.

Something about his story (the poverty, the death of his mother, his love of words and books) resonated with me, moved me. I came home from school and told my mother everything that I had learned about the young Abraham Lincoln. I told her that I wanted to learn more.

My mother took me to the Cooper Memorial Library in downtown Clermont. They had there many books about Honest Abe, but there was nothing for a reader my age. And so my mother checked out a thick volume on the life of Abraham Lincoln written for adults. The text was impenetrable. After a few pages, I gave up on it and contented myself with looking at photographs of the man, his sad and hopeful face.

That year, for my eighth birthday, my mother gave me a hardcover biography of Lincoln called Meet Abraham Lincoln by Barbara Cary. It was written at my reading level. There were wonderful illustrations, and I was smitten with the man anew.

Where had my mother found that book? At Porter’s Stationery and Gifts in Eustis, Florida. Eustis was the next town over from Clermont, thirty miles away. At Porter’s, they had looked for a book about Lincoln that was at my reading level and they had special-ordered it for my mother, for me.

Also, they had told my mother that there was another book I might like. It was called The Cricket in Times Square. And so, in addition to a book about a poor, lonely boy who went on to be come president of the United States, I also received the story of a small cricket who loves music, a cricket who sings so beautifully that people stop to listen.

Who was that bookseller who thought, “Here is an almost-eight-year-old girl who loves Abraham Lincoln. What other book will she love? Oh, yes. This book about a cricket.”?

There was nothing logical about that decision. It was a leap of faith.

Those two books changed me.

Together, they cemented an idea in my eight-year-old heart. That idea was this: It doesn’t matter how small, how lonely, how broken or sad or poor you are. There is a way to make yourself heard. There is a way to sing.

A bookseller put those books into my mother’s hands, and my mother put them into mine.

Sometimes we forget that this simple, physical gesture can change lives.

I want to remind you that it does.

I want to thank you because it did.”

– Kate DiCamillo

May 26, 2010


A Guest Blog by M.O. Walsh

June 2, 2010 by

Moving Forward With My Head Turned Back: Why I’m So Pumped to Read at Lemuria

Here’s the deal.

I grew up in Baton Rouge, Louisiana, but spent most of my life nearly positive that the two kindest people in the world lived in Jackson, Mississippi.  Well, they lived in Jackson first and then Brandon, although they never moved.  It seemed instead that Lakeland Drive simply turned from some dusty stretch of potholes into a thick and black electrical cord, plugging downtown Jackson into the folks out near the Ross Barnett Reservoir, many of whom, once juiced, said, “Wait a second, we moved out here for a reason!”  I think they (the royal “they” and not my grandparents in particular) even kicked up enough dust to have the address officially changed in order to clear up any confusion that they might live in a place that had crime, litter, and interstates.  I’m no Jacksonian scholar, though, so this could be wrong.  All I know is that my clumsily printed birthday cards to “Maw Maw Rebie” and “Paw Paw Milton” started coming back returned if I wrote Jackson, MS, and not Brandon.  And so it strikes me now that the Mississippi P.O. may have been my first editor.

Anyway, a few things about these saints:  my grandfather, Milton Walsh, was a retired oil and gas man and my grandmother, Rebie Walsh, was an artist.  Both were insane golfers.  My grandfather, I believe, could have gone pro if he had any interest in competing.  He seemed more interested in telling knock-knock jokes in the rough areas around the green, though, and talking sincerely with strangers in the clubhouse.  Still, he was the only man I ever knew who could shoot his age on the golf course. This is no small deal. My grandmother was skilled, too, but also disinterested in the competition.  She’s instead spent the second half of her life throwing herself whole hog into any artist endeavor she could find; oil painting, drawing, paper-making and, once she got past seventy, memoir writing.   To be honest, she was pretty damn good at most of this stuff; and a few of her works now hang out in storage areas of Mississippi museums, some future call to relevance not impossible.

But whenever I would visit them as a child during hot summers they’d lay aside every personal pursuit to entertain me.  For years it was the zoo.  Then the water park by the Reservoir. That old toy store right off I-55. As I grew up, though, all three of us felt the shine of these places wear off and we searched for new avenues of connection.  I began duffing around the links with my grandfather. We ate at every new restaurant they could find (nearly always Mexican, though I had no idea why).  Then, my grandmother noticed how much I was reading; often slinking off to my bedroom to flip through comic books as a kid, Stephen King novels as a teenager, and then starting to scribble some of my own ideas down as a young man, and she told about this place called “Lemuria”.  I was immediately interested. For those in the know; this word glowed to me like Araby.

So, we went, and the next ten years of my life were some of the best. Every visit to Jackson was punctuated by a trip to Lemuria and lunch at the sandwich shop below.  I’d gone through college and a graduate degree in literature at this point and eventually moved to Oxford, MS, for an MFA at Ole Miss.  Every few months I’d stop in Jackson on my drive back down to Baton Rouge to go to Lemuria with my grandparents. And as my personal reading tastes were now coming into their own, my appreciation for this amazing bookstore multiplied.  I got past the stacks and asked permission into the locked room of collectibles with my grandmother in tow.  I carefully handled books that cost more than I would make that entire semester on my graduate stipend.  Still, with her help, I began my modest collection, buying things like first edition Barry Hannah’s and a first edition of Rock Springs, by Richard Ford.  I knew at those moments, more than ever before, what I wanted to do with my life.

And, during this time, I also got lucky.  I had a few stories published in anthologies like Blue Moon Café and French Quarter Fiction that allowed me, as a doofus in his late twenties, to read and sign books at Lemuria. I was, of course, humbled and felt a fraud. Still, my grandparents attended these casual events in nice clothes and I remember Rebie taking about thirty pictures of me as I just sat at a table with some other writers, signing stock.  I was not embarrassed by this, though it was embarrassing. I loved them and understood that they loved me.  But when her pictures came back, all blurry, every one of them, almost unrecognizable, I knew that I wouldn’t have much longer to spend with them.  And I was right.

Gone five years from us now (Rebie passing of a broken heart a year after losing Milton), I was already at work on the stories that now appear in my book The Prospect of Magic when they died. One of the stories in the collection, The Freddies, I began writing in that very same bedroom in Brandon, Mississsippi, on the day of my grandfather’s funeral.  In the months that followed that event, while editing the story, I found myself trying to talk my grandmother into reasons to keep going.  Her health was failing, her house was empty, and I knew I was waging a losing battle. Still, I’d say things to her like, “You can’t go anywhere.  I want you to be there for my wedding, for when I have a kid, for when I get a book out and read at Lemuria.”

And it likely seems improbable to most that a bookstore event would be listed alongside things like birth and marriage; but it wasn’t for us.  We’d discovered something cool about one another (as people and not just kin) among the stacks at Lemuria and we both knew it.  And even as I type this I can remember the smell of their station wagon as we drove the long stretch up Lakeland Drive, from Castlewoods to Banner Hall, to the bookstore, and I remember the rosary lying in the small change cup by the automatic stick shift.

All this to say that I was lucky to have them then like I am lucky to have them now.  And, although neither Milton or Rebie will be in attendance when I do get the chance to read and sign from my own book at Lemuria on Wednesday, June 9th, I’ll imagine her snapping photos of me the whole time, him fumbling with a golf tee in his pocket, both happy to be back in Jackson and smiling, like I am.

M. O. Walsh’s website


The Particular Sadness of Lemon Cake by Aimee Bender

June 1, 2010 by

it’s the day before your ninth birthday and you mother is baking a practice birthday cake in preparation for tomorrow.  you take your first bite and instead of tasting your all time favorite, lemon cake, you taste your mother’s sadness.  thus begins a lifetime of being able to taste peoples emotions in the food that they prepare.  imagine being able to taste your mother’s affair in the dinners she cooks, your brothers disappearance in the toast he fixes for you.

aimee bender has recently grabbed my attention and my heart.  this was the first book of hers that i read and i am now on a huge bender kick.

read more in John P’s blog

by Zita


Deep Blues by Robert Palmer

May 31, 2010 by

Deep Blues: A Musical and Cultural History, from the Mississippi Delta to Chicago’s South Side to the World

by Robert Palmer

Viking Penguin (1981)

Browsers in our music section often say, “I want to read about the Blues, where do I start?”  Always a good choice is Palmer’s Deep Blues.  This little paperback is so readable and yet continuously informative – every page seems to have an unexpected folk-social history fact tucked in the text.

In 1903, the first descriptions of black music in the Delta were published in the Journal of American Folklore.  From this point, Palmer describes the musical influence from Africa as it migrated into Delta culture, placing emphasis on how folk polyrhythms played such an important part in the development of Mississippi Blues (this section surely was one of my favorites, as Palmer featured interesting narratives on hand drumming).

From Dockery Plantation, to the early 1920s and 30s recordings, to Mighty Mojo Muddy From Stovall, Palmer writes a who’s who of Delta Music.  With ease he explains how all the players were influenced by the music and each other, fitting in together and creating a Delta way of life.  From the Delta, to Chicago in the 40s, through the Chess’n of the 50s Blues Gods – not leaving out King Biscuit Time or Memphis and all the pathways in between – Palmer clearly explains it all.

All the major players appear with jigsaw puzzle perfection explained in time, influence, and place.  Palmer chronicles how major songs, bands, record labels and communities grew from the Delta blues, thus having a major impact on the world music scene.

Deep Blues has a chapter-by-chapter discography and bibliography to further guide the reader.  Unfortunately, Robert Palmer passed away in 1997.  A 30-year updated anniversary edition would be so interesting – a very good excuse for a reread.


Vacation Reading

May 30, 2010 by

May was a really busy month at the bookstore and I feel like these past few days our blog has become a way for all the booksellers at Lemuria to keep up with each other. Some of us on vacation and some of us at the great book conference in NYC and thankfully, some left to run the store. Well, I just came back from the mountains in North Carolina. To sum it up bluntly, this vacation pretty much kicked my butt. A lot of that has to do with Graybeard Mountain (elev. 5650).  The expression on my face was the closest thing to a smile I could muster once we reached the top. I’ll actually be ready to go back to work on Tuesday.

Back to books, I took along two bags of books for me and my sweetie. Here’s what I dipped into:

The Imperfectionists by Tom Rachman: I liked it a lot. Very pleasant, good dialogue, laugh-out-loud sections, a really neat book. I did not gush, however. See Kelly’s blog on this. This is a great book for vacation.

The Glass Room by Simon Mawer: Gorgeous. Thanks for the suggestion, Nan. I am still not done with this one. But I can tell you that this novel has a little bit of everything: delicious prose, subtle eroticism, intrigue . . . also a great book to take on vacation.

The World Has Changed: Conversations with Alice Walker edited by Rudolph P. Byrd: This collection of interviews with Alice Walker helps the reader to get a good overall sense of Alice’s writing. I admit that I have shied away from some of her work. This books explains “the why” behind much of her writing and opens the door for the reader to pick up some lesser known novels.  The title of this interview collection comes from a poem Alice wrote in 2008. Before I opened the book, I took the title in the negative sense. It is not. The poem reminds us of the strength we have to change ourselves and the world around us.

The world has changed:
This does not mean that
You were never
Hurt.
The world
Has changed:
Rise!
Yes
&
Shine!
Resist the siren
Call
Of
Disbelief.
The world has changed:
Don’t let
Yourself
Remain
Asleep
To
It.