Creative Distillery

December 8, 2011 by

Hey, fellow Lemuria fans! We’d like to introduce ourselves as our favorite bookstore’s newest neighbors up on the third floor. Our family-run studio, Creative Distillery, provides design and writing for brands. You may have seen Darren’s graphic and web design for Cups Espresso Cafe and Melia’s writing for the Jackson Free Press.

Today between 5:30 and 8 pm, you’re invited to our Happy Hour & Office Preview following the David Sedaris reading. Enter to the left of Barnette’s on the second floor, come up the stairs, and enjoy some wine and Mangia Bene hot appetizers. We’ve been renovating our high-ceiling office for the past few months and are eager to show you around. Half the office is dedicated to the Creative Loft, a coworking space for creative professionals. Desks are available to rent month-to-month, with access to shared spaces like the conference room and kitchen. It’s a great opportunity for someone who’s self-employed or works remotely. (Read more about coworking.)

We couldn’t be happier to be near our friends at Lemuria. For years, Melia was on staff at an independent bookstore in her hometown of Sonoma, California, and Lemuria feels like home.

Look forward to meeting you!

Darren Schwindaman, Melia Dicker, and Gillian Burgess

Creative Distillery
www.creative-distillery.com
Suite 302, Banner Hall


Photos from December 6th Event for Hemingway’s Boat by Paul Hendrickson

December 7, 2011 by


Blame the Books: A Guest Post by Emily Crowe

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You may have seen some of the photos of Barry Moser’s artwork on Facebook and on our blog. On Saturday, December 10 at 11:00 we will be having a signing for Barry Moser on the occasion of his two new books The Cheshire Cheese Cat: A Dickens of a Tale and Franklin and Winston: A Christmas that Changed the World.

What you may not know is that Barry Moser has a long history at Lemuria. John Evans will tell his story soon, but first we need to hear it from former Lemuria bookseller Emily Crowe.

I also used this as an opportunity to embellish Emily’s post with the beautiful art work of Barry Moser. -Lisa

Here’s her story:

I had been working at Lemuria about two and a half years when I met Barry Moser on December 7, 1999, a date which will live in infamy. John and Barry had been friends for years and John had been preparing the staff with lots of great anecdotes before Barry’s arrival.

I had somehow lucked into the position of writing up most of the author interviews for the store newsletter, so John arranged for Barry and me to spend a little extra time together to facilitate the interview.

We mostly chatted while Barry signed stock for the store, particularly the copies of The Holy Bible, that month’s first editions club selection. The staff had already flapped the books to the title page, but Barry told us that for the bible, he only signs in pencil and only on the last page of acknowledgments. After reflapping all of the books, we settled in for some serious conversation, and flirtation, too, if truth be told. Barry said at one point that he was impressed that I could keep up with passing books to him to sign, since he is such a fast signer. I remember that I told him that yes, he was fast, but that he was no John Grisham, and that seemed to take the wind out of sails a little.

That night John hosted a publication party for Barry at his home, with both of the deluxe limited editions of The Pennyroyal-Caxton Holy Bible on display. All of us staff members in attendance took turns monitoring these books, standing guard with an array of white gloves so that guests could thumb through the heavy pages and guess at the famous people who might have modeled for Job, Mary, Noah, or John the Baptist, or try to find Barry’s own self-portrait that he sneaks into every book he illustrates. Between the bourbon on the one hand and the wee small hours when the last guests left on the other hand, you might say that both merriment and more flirtation ensued.

As it turned out, the store was so busy during Barry’s visit that I didn’t have time to write up the interview before he had to travel to the next stop on his tour. When he suggested that I might email him my interview for him to fact-check before we published it, I readily agreed. Little did we suspect that our first email exchange would lead to hundreds more, accumulating more than 2,000 pages of electronic correspondence between us before the spring was out.

Circumstances brought us together again four months after our first meeting, but by that time we had fallen in love in this very new, old-fashioned way: it had been a purely epistolary romance, albeit an electronic one. I left Lemuria in January of 2001 to move north (to the kingdom of the yankee) to be with Barry, and two years after that we married. It pleases us both more than we can say that we will be back in Jackson, and more particularly back at Lemuria, twelve years to the date after we first met there. It’s improbable that a curmudgeonly old fart like him and an insufferable know-it-all like me could find lasting happiness together, but I blame the books: the ones I made a living by selling at Lemuria, the ones he illustrated that brought him into John’s life and thus mine, the ones we discussed passionately early on in our relationship, and the ones we hope to do together one day.

Emily Crowe was a sweet, innocent, young bookseller at Lemuria for several years before she ran off with a dirty old man twice her age. When she’s not traveling the Caribbean in search of the perfect rum punch, she continues to be a bookseller at the independently-owned Odyssey Bookshop in South Hadley, MA, where she is also the assistant manager, a buyer, and a blogger.

Read her blog here.


Blueprints for Building Better Girls

December 6, 2011 by

I am a lover of short stories. I know that short stories turn some readers off, but I am always impressed with an author that can weave a captivating tale in only a few pages.

Elissa Schappell is one such author. I’ve recently been reading Schappell’s Blueprints  for Building Better Girls and am thoroughly enjoying her stories of women who exhibit both vulnerability and strength – sometimes all in the same story – as they weather the experience known as womanhood.

Even though the book is comprised of short stories, they are mostly linked in subtle ways and possess a fluidity that makes me want to read the book from beginning to end like I would a novel. Normally, I enjoy skipping around a book of short stories, picking and choosing which ones to nibble on a little bit at a time. In fact, that is one of the main reasons why I enjoy a good book of short stories. In this day of constant distraction, sometimes I just need to read a story from a book of short stories and know that I can come back several months later without having to reacquaint myself with the plot or characters.

That being said, I am plowing straight through Blueprints for Building Better Girls without even a thought of  jumping from one story to the next, and I am finding myself not wanting to read anything else at the moment.

Check out this  interview with Elissa Schappell on therumpus.net!

by Anna


Hemingway’s Boat by Paul Hendrickson

December 5, 2011 by

So far this year we have seen two major new publications on Ernest Hemingway. Most recently we have seen Volume One of Hemingway’s complete letters, and earlier in the year Lemuria had the honor of hosting an event for Dr. Edgar Grissom to honor the publication of his descriptive bibliography for Ernest Hemingway. As if to give us a well-rounded year, this fall we have the publication of Hemingway’s Boat: Everything He Loved in Life, and Lost, 1934-1961 by Paul Hendrickson. As we get ready for a signing and reading with Paul Tuesday evening at 5:00, enjoy this review by our friend Dr. Ed Grissom. -Lisa

A Guest Post by Dr. Edgar Grissom

I have been waiting for a work like Hemingway’s Boat while not really expecting to ever see it. I have long hoped that the right individual might emerge who would posses the skill to conduct the dogged research necessary to get beyond the blinding Hemingway mythology and posses the skill to authentically portray the person, the real human being. No psychobabble involved just a portrayal of the man with all his weakness and strengths. No second guessing about how events may have occurred but rather the explicit unfolding of the events.

Hemingway the chameleon has made it difficult for any author to see beyond the many blinding colors. And no author had yet removed their ego from their rendition of Hemingway. I believe that Paul Hendrickson has accomplished this better than anyone who has ever attempted it. And there have been many, many such attempts. And that he at the same time produced such a delightful and impeccably crafted work is doubly impressive.

This is a work brimming with new information that tugs the reader’s heart that begs to be savored in small bites that engages the senses at every turn.

Paul Hendrickson has my admiration.

-Edgar Grissom

Notes:

Hemingway’s Boat: Everything He Loved in Life, and Lost, 1934-1961 (Knopf, September 2011) is also Lemuria’s First Edition Club pick for the month of December.

On Tuesday, Decemeber 6th Lemuria is proud to host a signing and reading at 5:00 and 5:30 for Paul Hendrickson. Some of Paul’s previous publications include Sons of Mississippi: A Story of Race and Its Legacy and The Living and the Dead: Robert McNamara and Five Lives of a Lost War (1996 finalist for the National Book Award)

Notable Hemingway Publications in 2011

See the trade edition of The Letters of Ernest Hemingway, 1907-1922 (Cambridge, September 2011), edited by Sandra Spanier and Robert W. Trogdon.

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Also see Cambridge’s collector’s edition of The Letters of Ernest Hemingway, 1907-1922

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Ernest Hemingway: A Descriptive Bibliographyby C. Edgar Grissom (Oak Knoll Press, June 2011)

See two previous posts on Dr. Grissom and the event at Lemuria: One from John and another from Lisa.